I am fascinated with the way that generations of human activity has shaped the British landscape. It is this mediated landscape that inform my art; the various patterns and repetitions of tracks and paths, stone circles and wells. I am drawn to the detritus of abandoned human enterprise; sunken lanes, disused paths, ruined buildings, the desire lines formed by grazing animals or the movement of people through the landscape.

I use sketchbooks, audio diary and a body camera to record my movement through the space. I use more then just the visual sense, I close my eyes and draw the sounds around me and the smells. Time spent in the landscape is time spent without ego, in an otherness. I sit and meditate in the landscape, running my hands through the soil, grass or sand. All these are ways of tapping into the sub-conscious and unconscious mind, liberating ideas.

Although self-taught and neurodiverse my innate experimentation and curiosity has allowed me to develop my art into paintings, collaborative art projects, prints and land art, in a variety of different media. I make visual forms of concepts, emotions, and temporal spaces.